INDUSTRIAL TERROR is a collection of dark, distorted, rumbling, ear-piercing, evolving industrial impacts and whooshes, designed to unsettle. The collection consists of 108 designed sound effects and 102 source field recordings.
$22.00 $25.00
Unique processing of organic field recordings makes it sound rooted in reality and fits perfectly into horror/industrial genre.
Ready to be used on their own or as a part of a more complex sound design.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4
| Product Number: | PM-1009 |
|---|---|
| Current Version: | 1.0 |
| Total Size of Samples: | 690MB |
| Total Number of Files: | 210 |
| Format and Resolution: | .WAV 96k 24bit |
| Lapsed Time: | 20m 25s |
| Metadata: | Soundminer |
| License Description: | Single user license, royalty-free - for a multi-user license, click here |
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High quality sound effects for gamedevs, editors and filmmakers by award winning sound designer/recordist Phil Michalski.
A massive collection of 423 impacts, smashes, hits and explosions. 24-bit impacts, recorded and designed with ice, glass, metal, water, wood and other sources. Clean and processed, from small wood knocks to massive designed bomb blasts and deep pulses. All sounds were recorded or designed at 24-bit 96kHz, with embedded meta data.
1316 Game Ready Audio Assets! Join our sound designers and creative engineers on an epic journey across the fields of Rohan to the great Misty Mountains to discover and create the perfect alchemy of Quest Game. An entirely new collection of game ready sound effects for building your own immersive world of fantasy gameplay, action, and adventure.
Muster a hoard of orcs, create the soundscapes of village life or outfit fantasy character actions with ease. With more than 1300 mix and master ready audio assets in your cache, Quest Game is a king’s ransom of premium quality AAA game ready sound effects that turn the tides in your favor. Quest Game! FTW
One-shot whooshing transitions with aggressive sweeps, angry and sudden drops, big heart-stopping bass, bone-chilling metallic textures, frantic reveals, glitchy futuristic flybys, dramatic and disturbing movements, and epic cinematic openings.
This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” & “Middle Earth: Shadow of War” – The Mobile Game)
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