Ready for Fun, Arcade, inspiring and ready to go game audio assets… Look no further! You just found the source where all AAA game studios get their sounds. Our Hybrid Game series offers top tier, full ranged sonic dynamic sound effects that will that not only be versatile but will add compelling evidence for taking your game to new levels. In this pack, you receive 61 epic hi-tech touches, processing, boosters, and creative essentials to build your project. Listen for yourself. Check the demo out.
$7
| Product Number: | ESFXMP-1061 |
|---|---|
| Current Version: | 1 |
| Total Size of Samples: | 104.8 MB |
| Total Number of Files: | 61 |
| Format and Resolution: | .WAV 96k 24bit |
| Lapsed Time: | 3 m |
| Metadata: | |
| License Description: | Single user license, royalty-free - for a multi-user license, click here |
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327 swooshes, designed for video transitions, Sci-Fi and game effects. Carefully designed swooshes, synthesised from metal, water and wind source material. Many of these effects have differently panned versions, depending on the requirements of the picture. All sounds were designed at 24-bit / 96kHz, with embedded meta data.
One-shot whooshing transitions with aggressive sweeps, angry and sudden drops, big heart-stopping bass, bone-chilling metallic textures, frantic reveals, glitchy futuristic flybys, dramatic and disturbing movements, and epic cinematic openings.
This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” & “Middle Earth: Shadow of War” – The Mobile Game)
Here’s a little toolbox of whistling beeps, cyber blips, and buzzer accents. 500 clips, 513 megabytes. Includes buzzer classics and great for use in theatrical performances, radio, podcasts, motion graphics, video etc.
203 designed glitches, textures, robots, UFOs, machines and other effects. Everything from a malfunctioning robot to a shuttle launch sequence. Sound designed at 24-bit / 96Khz , these sound effects were designed to give flexibility to an editor looking for wild Sci-Fi sounds. These sounds can be used as they are, or treated as foundation audio for further sound design and manipulation. All sounds were designed at 24-bit / 96kHz, with embedded metadata.
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